Yashraj 3P EP Review: Track-by-Track Analysis

A Full-Circle Moment for Yashraj

Yashraj dropped his debut EP, Azaad Hu Mein, in 2020, and now, with the release of 3P on March 17, 2025, this feels like a full-circle moment. Both EPs share some key similarities—each featuring just three tracks and carrying a strong overarching theme.

We’ll dive deeper into that later, but first, let’s take a moment to appreciate the effort and thought Yashraj puts into every project. He’s one of the rare DHH artists who consistently delivers conceptual projects rather than just singles or loosely connected albums. In a scene where even full-length projects often lack a cohesive narrative, 3P stands out. That alone makes this an exciting project to break down.

The Artwork: A Statement in Itself

Before we get into the tracks, let’s talk about the artwork.

The cover art is deeply symbolic, almost unsettling. It depicts a cybernetic modification—a clear reference to the programming of human behaviour in the modern world. The image of each song displayed reflects how we’re conditioned to accept stress, frustration, and artificial relief—a theme that runs through the EP.

At a deeper level, 3P might be a critique of hustle culture, the loss of genuine human emotion, and how technology dictates our lives. Yashraj could be suggesting that we’re all trapped in a system where anger fuels the grind, the grind chases money, and money leads to stress—a cycle that turns people into programmed machines rather than free-thinking individuals.

Of course, great art always leaves room for interpretation. I could analyse this forever, but what makes 3P special is that every listener will take something different from it. That’s the beauty of a well-crafted project—it speaks to everyone in its own way.

Track Breakdown

1) Pissed Off (Prod. by NEVERSOBER)

The EP kicks off with a distorted, glitchy scream, immediately setting the tone. Yashraj’s monotone delivery throughout the song enhances the feeling of emotional detachment, mirroring the theme of desensitisation in today’s world.

Lyrically, the track is pure frustration. Every bar cuts deep, as Yashraj vents about fake people, gatekeepers, and the pressures of success. His lyrical precision is on full display—he doesn’t just rap about being “pissed off,” he makes you feel the frustration.

And let’s talk about NEVERSOBER’s production—it’s phenomenal. Every time Yashraj and NEVERSOBER link up, they create something unconventional and boundary-pushing. The beat feels like controlled chaos, matching the intensity of Yashraj’s verses.

Overall, a perfect way to open the project—raw, unfiltered, and thematically gripping.

2) PSA (Prod. by Talal Qureshi)

One of the best transitions I’ve heard in a while—the way Pissed Off flows into PSA is seamless. From the moment Yashraj starts rapping, he’s locked in, barely taking a breath between bars.

This track has the best flow and delivery on the EP—it’s relentless. Talal Qureshi’s production perfectly complements the high energy, making it impossible to ignore.

The hook captures the duality of money—it’s both a motivator and a corruptor.

The title PSA stands for the commonly known “Public Service Announcement,” but here, Yashraj flips it into a message about money’s grip on society. He talks about how paisa runs the world, traps people, and creates false hierarchies—an undeniable truth that everyone can relate to.

Lyrically and sonically, PSA is a standout track, seamlessly blending social commentary with a hard-hitting, memorable sound.

3) Paracetamol (Prod. by Talal Qureshi)

If there’s one track where Yashraj completely flexes his pen game, it’s Paracetamol.

From the first listen, I knew this was his strongest lyrical performance on the project. The writing is razor-sharp—effortless yet intricate, confident but not overdone.

This isn’t your typical brag-rap track. Unlike the generic flex songs flooding the scene, Paracetamol is a flex on artistry, vision, and being ahead of the curve.

Rather than the usual success flex, Yashraj uses this track to prove why he’s at the top—both technically and conceptually.

Even the title is symbolic. Paracetamol is a painkiller, a metaphor for how people numb themselves with distractions—chasing streams, flexing on social media—while Yashraj is actually innovating. While others are stuck in the cycle, he’s breaking through it.

Talal Qureshi’s production matches this futuristic energy, making Paracetamol feel like the perfect closer to the EP.

From Azaad Hu Mein to 3P: How Yashraj Has Evolved as an Artist

Coming back to the similarities between Azaad Hu Mein and 3P, it’s not just about both having three tracks each—it’s about how they reflect Yashraj’s evolving state of mind and struggles at different stages of his life.

While Azaad Hu Mein captured his hunger for independence and self-discovery, 3P explores the complexities that come with success—something that anyone who has been working and growing professionally can relate to.

Beyond just personal experiences, both EPs also serve as social commentaries, offering deep insights into society, whether it’s about freedom, frustration, or the pressures of the modern world. Yashraj isn’t just making music—he’s crafting narratives that document his journey and challenge the system around him.

Final Thoughts: A Concept-Driven EP

3P proves once again why Yashraj is in a league of his own.

The concept is airtight, the production is futuristic yet hard-hitting, and Yashraj’s writing is sharper than ever. Every track builds on the last, creating a short but impactful experience.

What sets 3P apart is its ability to challenge the listener—not just sonically, but thematically. This EP isn’t just a testament to his artistry—it’s a reminder of how hip-hop, when done right, can be both introspective and revolutionary.

If Azaad Hu Mein was the beginning of his journey, 3P feels like the evolution of an artist who refuses to be boxed in.